All Categories - WGC - WORLDWIDE GUITAR CONNECTIONS
N. NORTON, Connection, for guitar and field recordings
"Fabricio and I met when he visited Los Angeles on the first Worldwide Guitar Connections tour, and while we were talking about his travels he mentioned that he'd kept a recorder with him and captured the sounds of the various places he'd visited, and that he wanted to commission a piece to tie all of the recordings together. We said go, and he sent me his recordings the next day. Instead of accompanying the recordings, I'd write a musical structure and narrative on the guitar, and use the recordings, with some minimal manipulations, to<br>accompany it. The recordings used are from quite a few locations all over the world. I hope that, by combining them in the way I did, their geographic significance disappears and we hear them as being all part of the same place.” (Nick Norton)<br><br>Norton titled the resulting work Connection, a name that encapsulates its conceptual core: to link distant countries and cultures through field recordings from many locations around the globe, mediated by the guitar.<br><br>* this item is available as a .zip file, which contains the .pdf score and the .wav backing track ready for performances.
R. BAUER-MÖRKENS, Metamorphose
“When I was a child, I heard the Chaconne from the Partita in D minor by J. S. Bach, and the arpeggio section has influenced me ever since. For the guitar, I intended to compose an arpeggio that leads guitarists to their<br>limits, much as the violinists are challenged in Bach’s Partita. The title, Metamorphose, signifies harmony flowing — from yesterday, to today, to tomorrow.” (Ralf Bauer)<br><br>In his musical interpretation of metamorphosis, Bauer-Mörkens drew deeply from Bach’s legacy while forging a distinct contemporary voice. The resulting work is both virtuosic and compelling, pushing the guitarist to the very limits of technical endurance, focus, and expressive depth.
M .BONELLI, Tre Capricci
Each of the three capricci bears a title that defines the specific technical or musical approach envisioned by the composer. The first, Capriccio Tribale, generates an irresistible rhythmic drive through the use of percussive effects and crossed-string techniques. Its “tribal” character evokes so-called primitive rhythms, while the technical language remains strikingly modern. The second, Capriccio Elettrico, is a breathtaking work constructed through the free combination of predefined musical ideas. Rather than a fixed linear score, the composer provides a series of musical “boxes,” leaving it to the performer to determine their order and frequency of repetition. The third and final capriccio, Capriccio Idiomatico, is an exuberant display of relentless speed, built around cascades of rapid arpeggios. Structured simply as two fast sections framing a meditative interlude, the work presents Bonelli at his most compelling. It clearly demonstrates why guitarists regard his compositions as among the most technically demanding in the repertoire, while audiences respond to their organic musicality and visceral energy.
P. HART, All thus Stand Light
All Thus Stand Light was commissioned by the Worshipful Company of Musicians in 2007, and is Hart's only work for solo guitar. The first movement is marked by great energy, rhythmic precision, and lyricism; the second offers a striking contrast, creating a distinctive atmosphere through its melancholy, clarity, and economy of musical ideas, while the third begins with intropective moments, followed by Hart’s characteristic creative turbulence shaped by his extensive work in commercial music and defined by directness and immediacy. This movement is driven by a continuous accelerando and renewed references to the brass sonorities of a big band, culminating in an electrifying conclusion marked by high levels of energy and technical virtuosity.
F. BORGES, Suite Sudamericana
Fabiano Borges is a Brazilian guitarist and composer with a deep connection to South American culture. His music frequently revisits tradition through a contemporary lens, and his Suite Sudamericana is a compelling example of his passion and commitment to the music and art of the continent. The suite is divided into four movements (I. Invocación, II. Por los Andes del Gran Perú, III. Tangos y Milongas, IV. Aires de Landó), each portraying a distinct rhythm or atmosphere. In his Suite Sudamericana, Fabiano Borges explores the colors of South America with remarkable artistic and compositional control, offering performers and listeners a great opportunity to engage with the history, diversity, and significance of these unique cultures.
Practical Guide for Classical Guitar [UK shipping ONLY]
[UK shipping ONLY]<br><br>This Practical Guide was conceived as a highly visual, holistic resource for complete beginners. It follows a non-linear, modular structure that gives teachers the flexibility to explore different learning paths alongside their students. Here, the fundamentals of music notation are woven into the challenges of learning basic classical guitar technique. At the same time, the guide also provides essential “breathing” moments in the form of rhythm exercises, sight-reading, and a few brain-teasing challenges. <br><br>Throughout the guide, you’ll find many QR codes linking to supporting video materials to help students practice at home. These videos offer a first-person view of the left hand and a mirrored view of the right hand. It’s important to emphasize, though, that these videos are not meant to replace a good teacher. Instead, they are designed to support both students and teachers by helping to avoid common mistakes early on — mistakes that could waste valuable lesson time if left uncorrected.
MUTE for Guitar & Ukulele (Handmade in the UK) [UK shipping ONLY]
[UK shipping ONLY]<br><br>These handcrafted under-string mutes are perfect for guitar and ukulele players of all ages and skill levels. They gently dampen the sound of the instrument while maintaining accurate pitch, making them an ideal solution for late-night practice without disturbing neighbours or housemates. They’re also an excellent tool for creating unique sound effects during performances. Some composers are already incorporating them into their work to partially or fully mute strings, adding depth and richness to their soundscapes.<br><br>Made from a combination of felt, cork, and foam, these mutes are lightweight, flexible, and pocket-sized—easily fitting into a jacket or trousers pocket. They’re available in wine, dark blue, and black. A larger version is available for 7-string guitars, as well as a half-size version that covers only three strings.<br><br>
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