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Practical Guide for Classical Guitar
This Practical Guide was conceived as a highly visual, holistic resource for complete beginners. It follows a non-linear, modular structure that gives teachers the flexibility to explore different learning paths alongside their students. Here, the fundamentals of music notation are woven into the challenges of learning basic classical guitar technique. At the same time, the guide also provides essential “breathing” moments in the form of rhythm exercises, sight-reading, and a few brain-teasing challenges. <br><br>Throughout the guide, you’ll find many QR codes linking to supporting video materials to help students practice at home. These videos offer a first-person view of the left hand and a mirrored view of the right hand. It’s important to emphasize, though, that these videos are not meant to replace a good teacher. Instead, they are designed to support both students and teachers by helping to avoid common mistakes early on — mistakes that could waste valuable lesson time if left uncorrected.
TOMASO ALBINONI, Sonata da Chiesa (SO.27)
LEVEL: ADVANCED <br><br>Tomaso Albinoni was a Venetian violinist, singer, and composer who devoted his life almost entirely to composition, particularly in the genres of sonata, concerto, and opera. He was a prominent figure of the Italian Baroque style, and his music was widely admired by his contemporaries, including Johann Sebastian Bach, who used Albinoni’s bass lines (basso continuo) as material in his harmony lessons. <br><br>The sonata featured in this publication is part of a set of six sonatas published in Amsterdam in 1708. This particular arrangement is derived from a manuscript preserved in Dresden, Germany. These works are examples of sonata da chiesa (church sonata), a form first distinguished in the early 1600s to contrast with the sonata da camera (chamber sonata). While sonate 'da chiesa' were ideally free of dance movements and considered more "serious" or sacred, they often display clear rhythmic and stylistic influences from Baroque dances such as the sarabande and gigue, even when not explicitly labeled as such.<br><br>This is a great addition to advanced players looking for longer Baroque works for concerts, recording projects, and competitions.
SPENCER COLLECTION, A Selection
LEVEL: INTERMEDIATE<br><br>This short compilation presents some of Fabricio Mattos' findings in the remarkable Spencer Collection at the Royal Academy of Music in London. The Spencer Collection was assembled by Robert Spencer — lutenist, guitarist, musicologist, and professor — who was one of the leading figures in the early music revival in England. Comprising manuscripts, early editions, historical documents, and musical instruments, the collection includes thousands of meticulously selected and catalogued items, many of which have the potential to reshape our understanding of the lute and guitar’s evolution over the centuries.<br><br>Includes 18th- and 19th century works by Parrini, Ferandiere, Trentin and other anonymous composers.
Mute (Guitar & Ukulele)
These handcrafted under-string mutes are perfect for guitar and ukulele players of all ages and skill levels. They gently muffle the sound of the instrument while maintaining accurate pitch, making them an ideal solution for late-night practice without disturbing neighbours or housemates.<br><br>They’re also a fantastic tool for creating special sound effects in performance. Some composers are already incorporating them into their work to partially or fully mute strings, adding richness and depth to their soundscapes.<br><br>Made from a combination of felt, cork, and foam, these mutes are incredibly lightweight, flexible, and pocket-sized—easily fitting into a jacket or pants pocket. They’re available in red, dark blue, and black. A larger version is also available for 7-string guitars, as well as a smaller one designed for ukuleles and similar instruments, like the Venezuelan cuatro.
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